{"id":1911,"date":"2013-01-21T15:57:55","date_gmt":"2013-01-21T15:57:55","guid":{"rendered":"http:\/\/halotan.net\/?p=1911"},"modified":"2013-01-21T15:57:55","modified_gmt":"2013-01-21T15:57:55","slug":"juz-nie-zyjesz-eskpzm","status":"publish","type":"post","link":"https:\/\/halotan.net\/pl\/recenzje\/juz-nie-zyjesz-eskpzm.html","title":{"rendered":"Ju\u017c Nie \u017byjesz – ESKPZM"},"content":{"rendered":"
Ju\u017c Nie \u017byjesz to nowy zesp\u00f3\u0142 na mapie polskiej alternatywy, cho\u0107 jego muzycy s\u0105 ju\u017c dobrze znani z zespo\u0142\u00f3w 19 wiosen, Pornohagen i Bruno Shulz. ESKPZM to ich debiut p\u0142ytowy ale, jak mo\u017cna przypuszcza\u0107 opieraj\u0105c si\u0119 na wspomnianym curriculum vitae, jest to materia\u0142 dojrza\u0142y i przemy\u015blany.<\/div>\n

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Trudno by\u0142oby dok\u0142adnie opisa\u0107 styl muzyczny Ju\u017c Nie \u017byjesz. Najlepiej chyba u\u017cy\u0107 szerokiego terminu post punk, bo nie mie\u015bci si\u0119 ta muzyka bynajmniej w szufladce gotyku i zimnej fali. Owszem, jest lodowato i niepokoj\u0105co \u2013 to g\u0142\u00f3wnie zas\u0142uga gry klawiszowca \u2013 Grzegorza Fajngolda, oraz charakterystycznej barwie g\u0142osu Paw\u0142a Strzelca, kt\u00f3ry brzmi jak skrzy\u017cowanie Kory Jackowskiej z m\u0142odym Robertem Gawli\u0144skim (z czas\u00f3w kiedy gra\u0142 z Madame). Warto wszak\u017ce zauwa\u017cy\u0107, \u017ce zar\u00f3wno \u015bpiew wokalisty jak i klawisze nie maj\u0105 w sobie nic z zimnofalowej monotonii. Pawe\u0142 Strzelec \u015bpiewa, skanduje, a nawet gwi\u017cd\u017ce (\u201eR\u00f3wnole\u017cniki i po\u0142udniki\u201d), natomiast pomys\u0142y Grzegorza Fajngolda\u2026 no c\u00f3\u017c, to ju\u017c temat na oddzielny tekst, ale kto zna Procesor Plus i 19 Wiosen bogactwem brzmie\u0144 nie b\u0119dzie zaskoczony. Dotyczy to zreszt\u0105 gry ca\u0142ego zespo\u0142u \u2013 zas\u00f3b \u015brodk\u00f3w wyrazu stosowany przez Ju\u017c Nie \u017byjesz jest wr\u0119cz pora\u017caj\u0105cy. Niby s\u0105 to zwyk\u0142e rockowe piosenki, ale motyw\u00f3w, zagrywek, zaskakuj\u0105cych zwrot\u00f3w akcji jest ca\u0142e mn\u00f3stwo. Sekcja rytmiczna w sk\u0142adzie Wojtek Czyszczo\u0144 (perkusja) i Maciej Andrzejwski (bas) gra niezwykle dynamicznie, a gitara Mariusza W\u0105troby eksploruje zar\u00f3wno okolice The Cure z czas\u00f3w \u201ePornography\u201d  jak i po prostu punk rocka.<\/p>\n

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P\u0142yta trwa ledwo ponad trzydzie\u015bci minut i chyba jest to jedyna jej wada. Z drugiej strony nie znajdziemy na niej ani jednego niepotrzebnego utworu, cho\u0107 m\u00f3g\u0142bym wyr\u00f3\u017cni\u0107 paru osobistych faworyt\u00f3w. Otwieraj\u0105ce \u201eZimno\u201d adekwatnie do tytu\u0142y pora\u017ca ch\u0142odem. W \u201eProstych sprawach\u201d zesp\u00f3\u0142 dok\u0142ada do pieca punkowym czadem wyj\u0119tym z p\u0142yt The Stooges i Lou Reeda okraszonym bajkowymi brzmieniami klawiszy. \u201eOp\u00f3r\u201d mknie do przodu dzi\u0119ki przebojowej linii basu i p\u0142yta zwalnia dopiero w \u201eTylko ciebie mam\u201d, kolejnej lodowej perle wyci\u0105gni\u0119tej z ch\u0142odni Ju\u017c Nie \u017byjesz, a mo\u017ce z kostnicy? Najprawdopodobniej to drugie, ale na ju\u017c kolejny numer, \u201eRzeczywisto\u015b\u0107 nie istnieje\u201d, porwa\u0142by do ta\u0144ca nawet trupa. Mnie to si\u0119 osobi\u015bcie kojarzy ze staroszkolnym bluserockiem w stylu Canned Heat na punkowym turbodo\u0142adowaniu, a gdyby szuka\u0107 bli\u017cej naszych czas\u00f3w i przestrzeni geograficznej \u2013 z warszawskimi Kometami. To jest chyba taki paradoks muzyki Ju\u017c Nie \u017byjesz, \u017ce pod t\u0105 lodow\u0105 pokryw\u0105 bywa miejscami naprawd\u0119 gor\u0105co. Zapadaj\u0105 w pami\u0119\u0107 jeszcze \u201eR\u00f3wnole\u017cniki i po\u0142udniki\u201d \u2013 nie tylko z uwagi na wspomniane gwizdanie, ale przede wszystkim ze wzgl\u0119du na bardziej elektroniczny charakter. Pozosta\u0142e, niewymienione tu z nazwy utwory r\u00f3wnie\u017c trzymaj\u0105 poziom.<\/p>\n

Osobn\u0105 spraw\u0105 s\u0105 teksty. Tu jest klasycznie i postpunkowo \u2013 kr\u00f3tkie frazy kr\u0105\u017c\u0105ce wok\u00f3\u0142 r\u00f3\u017cnych temat\u00f3w i motyw\u00f3w tworz\u0105 teksty oparte na lu\u017anych skojarzeniach. Mi osobi\u015bcie taka formu\u0142a przypad\u0142a do gustu, tym bardziej, \u017ce mo\u017cna doszuka\u0107 si\u0119 paru ca\u0142kiem fajnych aforyzm\u00f3w dotycz\u0105cych relacji damsko-m\u0119skich ( fraza \u201epo\u0142amane ko\u015bci to m\u00f3j j\u0119zyk mi\u0142o\u015bci\u201d w \u201eZr\u00f3b mi jak\u0105\u015b krzywd\u0119\u201d), czy nieweso\u0142e refleksje na temat \u017cycia w nudnym mie\u015bcie, z kt\u00f3rego jedyn\u0105 ucieczk\u0105 jest mi\u0142o\u015b\u0107 (\u201e:Przedzieram si\u0119 w\u015br\u00f3d blok\u00f3w\/psy i ludzie szczekaj\u0105 chocia\u017c wszyscy mnie tu znaj\u0105\u201d w \u201eZiele\u0144. Powietrze\u201d).<\/p>\n

Ca\u0142o\u015b\u0107 dost\u0119pna do ods\u0142uchania na stronie bandcamp<\/a>, wi\u0119c nie pozostaje nic innego jak poleci\u0107 wszystkim zaznajomienie si\u0119 z tym kr\u0105\u017ckiem. Mi osobi\u015bcie uda\u0142o si\u0119 za\u0142apa\u0107 na fizyczne wydanie p\u0142yty \u2013 skromne, ale estetyczne \u2013 kt\u00f3re spokojnie le\u017ca\u0142o na p\u00f3\u0142ce w pobliskim centrum handlowym. Pozostaje jedynie \u017ca\u0142owa\u0107, \u017ce taka muzyka nie mo\u017ce si\u0119 przebi\u0107 w mediach, tym bardziej, \u017ce numery \u201eJu\u017c Nie \u017byjesz\u201d przy ca\u0142ym swym ch\u0142odzie i bogactwie dysonans\u00f3w i brudu s\u0105 naprawd\u0119 przebojowe.<\/p>\n","protected":false},"excerpt":{"rendered":"

  [halobox83]   Trudno by\u0142oby dok\u0142adnie opisa\u0107 styl muzyczny Ju\u017c Nie \u017byjesz. Najlepiej chyba u\u017cy\u0107 szerokiego terminu post punk, bo […]<\/p>\n","protected":false},"author":3,"featured_media":1912,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[80],"tags":[],"class_list":["post-1911","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-recenzje"],"yoast_head":"\nJu\u017c Nie \u017byjesz - ESKPZM - Halotan Records PL<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/halotan.net\/pl\/recenzje\/juz-nie-zyjesz-eskpzm.html\" \/>\n<link rel=\"next\" href=\"https:\/\/halotan.net\/pl\/recenzje\/juz-nie-zyjesz-eskpzm.html\/2\" \/>\n<meta property=\"og:locale\" content=\"pl_PL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ju\u017c Nie \u017byjesz - ESKPZM - Halotan Records PL\" \/>\n<meta property=\"og:description\" content=\"Ju\u017c Nie \u017byjesz to nowy zesp\u00f3\u0142 na mapie polskiej alternatywy, cho\u0107 jego muzycy s\u0105 ju\u017c dobrze znani z zespo\u0142\u00f3w 19 wiosen, Pornohagen i Bruno Shulz. 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